“CHITTADARSHANI” An Art Exhibition By Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole At Jehangir Art Gallery
From: 23rd to 29th December 2025
“CHITTADARSHANI”
An Art Exhibition by Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole
VENUE:
Jehangir Art Gallery
Auditorium Hall
161-B, M.G. Road
Kala Ghoda, Mumbai 400001
Timing: 11am to 7pm
Dhiraj Hadole
Dhiraj Hadole’s work enters the lineage of geometric abstraction not through utopian rigidity or formal bravado, but through a quieter recalibration of what geometry can contain. Hadole belongs to a reflective generation that allows structure to coexist with memory, affect, and care.
His compositions echo the discipline of hard-edge abstraction, yet resist its doctrinaire coolness. The planes feel inhabited rather than imposed; edges meet without aggression, and colour operates as mood. Geometry here is closer to a psychological modulation than an optical one. Reduction does not erase feeling, it distils it. Repetition becomes attention, not control.
Materially, Hadole’s practice departs from modernist purity. The stitched, layered surfaces introduce a tactile memory aligned with domestic knowledge and inherited labour. Quilt-like constructions suggest an indigenous abstraction shaped by patience, repair, and assembly, without slipping into literal craft reference. Cultural specificity is absorbed ethically, not illustrated.
These works propose equilibrium: that intimacy can be measured. In this restraint lies their quiet radicalism. Dhiraj Hadole proves that stability is not the enemy of depth, that precision can remain soft. These are paintings that behave like shelters, steady, composed, and rewarding to those willing to slow down and meet them on their own terms.
Pravin Waghmare
Pravin Waghmare’s art practice emerges from an acute attentiveness to the visual and emotional residues of everyday life. Forms, colours, textures, and fleeting sensations are not treated as passive observations but as active forces that impress themselves upon the artist’s inner self. From this silent accumulation of experience, Waghmare constructs a language of abstraction that is grounded firmly in lived reality.
Although his works appear abstract, they are anchored in the rhythms of the visible world, its pauses, frictions, and reverberations. His surfaces carry a sense of return and response: every encounter, whether with nature, society, or the ordinary mechanics of daily existence, rebounds into the pictorial field. This cyclical exchange lends his compositions a quiet intensity, where colour blocks, fractured planes, and layered textures behave like echoes of perception rather than representations of objects.
Waghmare’s use of colour is deliberate and experiential, functioning as a carrier of emotion. Lines and forms unfold through an intuitive yet disciplined process, reflecting an honest negotiation between control and spontaneity. His paintings offer a sustained meditation on how experience transforms into visual thought. Pravin Waghmare articulates abstraction as a deeply human, perceptual act, one that translates the unsaid into form with clarity and depth.
Swapnil Sangole
Swapnil Vilasrao Sangole’s sculptures are rooted in a rigorous engagement with material, memory, and metaphysical inquiry. Working primarily with stone, he positions sculpture as a site where permanence and impermanence coexist, where time is both resisted and inscribed. Drawing deeply from Indian temple architecture, Sangole distils their structural intelligence, symbolism and spiritual gravity into a contemporary language.
His works reveal a careful balance between solidity and openness. Carved voids, layered planes, and architectural motifs evoke sacred spaces while remaining resolutely abstract. Each chisel mark becomes a temporal gesture, an assertion of continuity that acknowledges rupture. The stone is listened to, negotiated with, and allowed to assert its own agency within the final form.
Sangole’s sculptures function as thresholds between the material and the metaphysical, inviting tactile contemplation. They are not objects of passive viewing but embodied experiences that ask the viewer to slow down and reckon with scale, weight, and silence. In expanding his practice toward collaborative and community-based projects, Sangole further opens it up to collective memory and shared authorship. Ultimately, his work honours the sacred while confronting contemporary realities. Through restraint, precision, and conceptual clarity, Swapnil Sangole affirms sculpture’s enduring capacity to witness, question, and heal.
This show was inaugurated on 23rd December 2025 by Honourable Guests –
Adv. Dr. Kirti Kulkarni : Chief Legal Advisor, MAHAGENCO, Special PP, Bombay High COURT, CLA, MSETCL, Ministry of Energy, Govt of Maharashtra A Panel Adv. MSEB Holding Co. Ltd. Manager Legal, NFDC, Ministry of Information & Broadcasting, Govt. of India, Member, Consumer Court, Mumbai. Asst. Govt Pleader, Writ Cell, Bombay High Court, Mumbai,
Mr. Madhukar Wanjari – Eminent Sculptor
Dr. Narendra Borlepwar – Founder President Aum the Global Art Centre and Aarey Museum, Mumbai,
Amit Shah : Director – Magnifique Décor and Mangal Movements Mumbai
https://www.youtube.com/shorts/CdOI9KaplkQ
“CHITTADARSHANI” An Art Exhibition By Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole At Jehangir Art Gallery
